Where creativity, curiosity and play are at the core of research, education, and practice

The transformative potential of arts-based approaches is at the heart of what we do. 

The arts represent a different way of knowing, of practicing and of learning. Our laboratory is about embedding the arts into research, education and practice as they relate to the health and rehabilitation sciences broadly, and to occupational therapy more specifically. The Creative Collaboratory’s focus is methodological, in that our collective interest is in arts-based and narrative approaches to knowledge production and mobilization. And we bring these methods to bear in studies and in classrooms, but we are also very interested in how the arts inform clinical practice and the work lives of clinicians.

 Moreover, we’re interested in not only new ways of innovating, exploring , enlivening and learning but about addressing important questions about the ways in which the arts inform our understanding of how knowledge is generated and taken up.  

Why Occupational Therapy and The Arts

Occupational therapy is rooted in the arts. At the end of the nineteenth century, creative occupations (art, music, horticulture) attracted people experiencing the disruption accompanying industrialization. Judith Freiedland traced the history of Occupational Therapy in Canada and  in her book, Restoring the Spirit  she notes that “ There was something about working with one’s hands, mind, and heart that was thought to bring a special benefit—a new dimension to life that would enhance spiritual well-being.”  Many asylums in the late 1800s were incorporating art, music, dance and gardening as a way to raise morale. Fast forward to now, post COVID, living in the digital age where we’re so easily connected and yet distant from one another, where the need for purpose, social interaction, community and meaning is greater than ever. Many people are searching for shared communities through choirs, dance, urban sketching, photography, sports,  amongst others. When people are freely able to choose activities that attract and engage them, they experience more fulfilment, restoration and connection, as demonstrated by the work of Roberts and Bennigan (2018)..

The object of all human life is play. Earth is a task garden. Heaven is a playground

  G.K Chesterto

Why arts-based practices now?

The arts as a tool to invogorate our learning, research, practice communities:

We are living at a time of both great opportunity and great crisis. The fabric of our society has become fractured by a number of global trends, events and a pervasive sense of uncertainty –  rooted in the pandemic, wars and conflicts, polarization, isolation, social media addiction, economic and housing crises, climate change and the list could go on. This affects all of us. The way we live our everyday lives we are going through a shift from a human-occupational perspective, a shift in how we engage in the world and a shift to AI. We don’t have the opportunity, time or choice to understand how it affects us. Loneliness, marginalization and stigma/inclusion, burnout, how to nurture the next generation; creating welcoming places where we can do the work of combatting exclusion and marginalization. 

Imagine bringing play (and joy) back into our studies, our learning, our work, our culture.

We need a way to make sense of it all. We need a way of creating our village. A village where people can come together to co-create knowledge, to share knowledge, to connect, to discover, to learn, to laugh, to cry, to express, to celebrate and to heal. This is our need for agency, individually and collectively, and the arts provide that opportunity by fostering the culture of making.

  •  We have a passion for engaging in the arts in community for a range of reasons – inspiring students, supporting clinicians, and building connections among people. The support of clinicians can include offering them new arts-based training that they can bring to their own practice/s, but also how they can navigate the challenges they encounter themselves with respect to burnout (for example).